#Cam Howe

[okaydyke]

Halt and Catch Fire: Yerba Buena

[hawkmothmoon]

“The thing that gets you to the thing.”

“What?”

“It was you. It was always you.”

Halt and Catch Fire forever 🖤

When this show was out I was in sort of a strange place in my life in my mid/late twenties when I felt sort of untethered and unbelonging. Things eventually shifted—I’ve got a wonderful job and community these days—but because I saw this show during a personally tumultuous time it’s got a lot of importance to me.

I especially think it’s a show folks who are just starting their careers and lives after high school or college should check out. It takes place in the 80s and early 90s but a lot of it still checks out: impossible people working on impossible projects; balancing innovation with burnout and money with corporate life; when relationships end not because of anger or negativity but because sometimes people just diverge and have different needs; when people throw you under the bus to get ahead; when you should try to make it work and when you should let it go.

It’s also got a really wonderful friends/enemies/friends platonic femme friendships, and just great platonic friendships in general. Obviously, romance is awesome! Love that! But I think the friendships this shows portrays are really lovely.

[tiffanyachings]

like a rising comet 💫

[manny-jacinto]

Tom Burke as Praetorian Jack & Anya Taylor-Joy as Furiosa FURIOSA: A MAD MAX SAGA (2024)

[limitedseries]

Riley Keough and Lily Gladstone as Rebecca and Cam Under the Bridge (2024)— "When The Heat Comes Down"

[felinefractious]

🐱 Cashmere

📸 [Bengal Cat Mafia]

🎨 Black Charcoal

[emilyjunk]

"Kevin isn't that bad it's not like he beats her, why does she need to kill him or fake her death, just get divorced" you are the point of the show, you are missing the crucial reveal. Allison sees Kevin in every single scene as she does their last scene together, but we as the audience aren't privy to that and we only see sitcom Kevin which is Kevin's self perception. He is not suddenly becoming scary and threatening to her. He was like that the whole time. We only see Allison's feelings about Kevin and the aftermath of her interactions with Kevin -- this is the ONLY time we see Kevin from her POV except for the brief initial breaking of the sitcom cam. Every other time we see Kevin on screen it's from Kevin's POV. Even after she cuts her hand we only see the bandage in her singular pov when she is away from kevin, but when it shifts back to sitcom Kevin it's gone.... We do not see the reality of her interactions with Kevin, that's the point of the show!!! Because when Kevin is on screen, it's Kevin's world! We only see Kevin from anyone else's lens in ONE scene at the end, which is when Allison decides to leave, so yes the sitcom cam "softens his abuse" but it also just fully acts as an unreliable narration because we never literally see Kevin from anyone else's POV until the series finale so every time Kevin is on screen it isn't even an accurate portrayal of what's happening, it's Kevin's perception of what's happening. Allison has viewed him like that the entire show, we as the audience just did not get to witness that POV until the end

[umbrellajamming]

de-aged baby Tim but it happens during Prodigal when he and Dick still barely know each other and are supposed to be holding down the fort in Gotham by themselves and also Dick's life is already in extreme early 20s shambles

Dick!Bats:

Baby Robin!Tim (with oversized domino falling off his face): (burbles) Dbbb? BUH-MUH-MUH.

Dick!Bats:

Dick!Bats: nope nope nope nope NOPE

Huntress (rolling up warily): hey...Batman. what was that lightshow - oh, that is a baby.

Baby Robin!Tim (waving his hands delightedly): He-ba-ba!

Huntress: ...Heb-- wait a minute, is that Robin's uni--

Dick!Bats (bundling Tim and the Robin uniform into his own Bat cape and using his best Bat growl): the situation is under control, move along. (sweeps away)

---

Dick: (reading the manual to the new Batmobile to try and activate the baby carseat configuration that has to be in here somewhere, please god)

Tim: (yanks on the end of Dick's ponytail and sticks it in his mouth)

---

Dick: (standing in front of Drake Manor gearing up to hand baby Tim over to his actual family, thank fuck this will no longer be his problem--)

Dick: (remembers (a) Jack Drake is still in a wheelchair and (b) Tim laughingly telling him the funny family story of how Janet left Jack in charge of Tim for one (1) girls night when he was a year old and came back to diaper rash because he hadn't been changed in six hours, haha Dad was so embarrassed, like "so by every two hours you meant every--??")

Dick: y'know what I've helped babysit Lian how hard can this be

---

Dick (with formula in his hair, spit-up all over his shirt, juggling a red-faced wailing Tim and a corded phone held between his shoulder and his ear): ROY. ROY MAYDAY.

[sincerelywhistler]

☆ OLD ART ☆

Dug through the archives and unearthed some old fanart from a few years ago! The first time I drew some of the demons-

Some of my designs have drastically changed over the years, though Gavin remains pretty damn consistent ✨

[random-lil-illing]

i had a vision,,, asexual dps fans what do we think

[camrynlawl]

flowers (more versions below)

[okaydyke]

Halt and Catch Fire: Extract and Defend.

[hawkmothmoon]

“The thing that gets you to the thing.”

“What?”

“It was you. It was always you.”

Halt and Catch Fire forever 🖤

When this show was out I was in sort of a strange place in my life in my mid/late twenties when I felt sort of untethered and unbelonging. Things eventually shifted—I’ve got a wonderful job and community these days—but because I saw this show during a personally tumultuous time it’s got a lot of importance to me.

I especially think it’s a show folks who are just starting their careers and lives after high school or college should check out. It takes place in the 80s and early 90s but a lot of it still checks out: impossible people working on impossible projects; balancing innovation with burnout and money with corporate life; when relationships end not because of anger or negativity but because sometimes people just diverge and have different needs; when people throw you under the bus to get ahead; when you should try to make it work and when you should let it go.

It’s also got a really wonderful friends/enemies/friends platonic femme friendships, and just great platonic friendships in general. Obviously, romance is awesome! Love that! But I think the friendships this shows portrays are really lovely.

[tiffanyachings]

“Fiat lux! If you want to talk improbable, let’s talk about this”—a scrape of stone on stone—“being three thousand and some years older than this.” A heavy clunk.

“Inexplicable, Warden.”

“Certainly not. Like everything else in this ridiculous conglomeration of cooling gas, it’s perfectly explicable, I just need to explic-it.”

“Indubitable, Warden.”

“Stop that. I need you listening, not racking your brain for rare negatives. Either this entire building was scavenged from a garbage hopper, or I am being systematically lied to on a molecular level.”

“Maybe the building’s shy.”

“That is just tough shit for the building.”

[oobbbear]

Chapter 1: Rubber

Next Chapter ->

Afterland postal master post

Next Chapter ->

Afterland postal Master post

CHAPTER 1 of Afterland Postal! The next chapter is going to be Dolus centered and a lot longer than this one so stay tuned :]!!!!!

[limitedseries]

[♪ "I Love You Always Forever" by Donna Lewis playing ♪]

Riley Keough and Lily Gladstone as Rebecca and Cam Under the Bridge (2024)— "Mercy Alone"